Zhuni Meirenjian Yixing Teapot, 朱泥美人肩壶, 180ml
Zhuni Meirenjian Yixing Teapot, 朱泥美人肩壶, 180ml
Zhuni Meirenjian Yixing Teapot, 朱泥美人肩壶, 180ml
Zhuni Meirenjian Yixing Teapot, 朱泥美人肩壶, 180ml
Zhuni Meirenjian Yixing Teapot, 朱泥美人肩壶, 180ml
Zhuni Meirenjian Yixing Teapot, 朱泥美人肩壶, 180ml
Zhuni Meirenjian Yixing Teapot, 朱泥美人肩壶, 180ml
Zhuni Meirenjian Yixing Teapot, 朱泥美人肩壶, 180ml
Zhuni Meirenjian Yixing Teapot, 朱泥美人肩壶, 180ml
Zhuni Meirenjian Yixing Teapot, 朱泥美人肩壶, 180ml
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Zhuni Meirenjian Yixing Teapot, 朱泥美人肩壶, 180ml

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Capacity: Approximately 180ml


This is an yixing teapot made from the rarer red clay known as "zhuni." As you can see from the photos, zhuni clay has a slight bumpy appearance. The clay will develop a shine from use. Zhuni clay is prized for its ability to preserve the full spectrum of flavour and fragrance of a tea. It is also the most difficult clay to fire as it is more likely to break during the process.

You can read more about zhuni clay in our blog entry here.


This teapot shape is called meirenjian 美人肩.


This pot is known as "half-handmade" as the sculptor uses a molding tool to shape the body, and uses his hands for the handle, spout, holes, and smoothing out the body. In fact, no machine was used in it's shaping as the use of the tool is entirely manual.

You can read more about half handmade teapots in our blog entry here.


This pot was made byLin Hanpeng and Chen Chunhong Studio.



Preparation Before Use


Yixing Teapots should be prepared before using the first time. This is called "opening the pot". It removes the dust from firing the teapot.


We recommend rinsing the teapot under warm water two or three times, then filling the teapot with boiling water and emptying it out two to three times. After this the teapot is ready for use.

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Spike G.
Absolutely beautiful.

Absolutely beautiful. I already own a XiShi Zhuni teapot from their collection and from the lustrous shine they’ve gained these past few weeks already; there’s no denying the quality. They have the tell-tale white spots and dimples of real Zhuni Zisha and it feels smooth, metallic, it chimes like a bell and the aroma of the oolong I have is already improving. Something to cherish and hand down in years to come. The only things I could possibly say would be that the bottom marking was imprinted a little unevenly and light, there are also three black dots on the surface from something sticking to it in the kiln. These things do not bother me and in fact show to me it’s handmade individuality, however they are worth mentioning.